This review was meant to come up at half 3 this morning after returning from an epic Eurovision party and a midnight barbecue with the buddies. But my internet decided it didn’t want to play, so I slept on it. Then I had to catch up on The Voice (follow it on Twitter coz I said so) and have only just gotten around to posting this up. So yeah. This is Day 81.
Lolita. After moving in with a woman and her daughter, a widowed man develops an unnatural fondness for a young girl and it all goes pear shaped.
More than one person told me to watch this. One said that it was right up my alley with the strangeness and all that, and the other just said ‘do it’. Well, how could I refuse?
Hmm.
I don’t really know what to make of this film. I think it’s partially because it is such an old film that I can’t get my head around the acting style. In fact, I’m pretty damn sure that that is the reason. But I’ll do my best to try and work around it.
The story itself is disturbing. If my friends are reading this, they’ll remember the little running joke of strange sexual fetishes that seem to follow me around (none that I have actually taken part in, let me assure you) so it’s no surprise that I enjoyed what it was about. Sick and twisted plot lines tend to go down well with me. I jut think that it went on a little bit too long. But then again, what Stanley Kubrick film doesn’t? It could have probably been cut a significant amount…
I’m not joking. Some of the scene in this film were completely unnecessary. The whole ‘cot’ scene was pretty much a cheap attempt at a bit of humor. No. It wasn’t needed. And it wasn’t even funny. And there were other scenes that I was watching and, to be pretty damn honest, I had no idea what it was that I was watching. For the life of me, I can’t remember what that scene was, so clearly it had no significant value to the film. But the complete confusion that I felt whilst watching it is unforgettable.
So let’s move on to the acting. I really really am trying to take into account the age of this film. I really am. But oh god. Sometimes it was so painful. The mother was just terrible. My friends kind of disagree with me there and tell me that she’s meant to be annoying. Well, yes. That is obvious. But everything she did kind of seemed half-hearted. Her outbursts just kind of fell flat for me. It may well have been intentional, but it really didn’t work for me. Sorry.
Then we have Lolita herself. She started off okay, and got worse and worse as the film moved on. By the end, she really was shocking. I suppose the worst scene of hers wasn’t the end, it was the ‘I hate you’ scene. It hurt to watch. It did. I huddled up in a ball on the seat I was in and prayed for the scene to end. Bad acting. Just bad.
And then James Mason. I’ve heard of this man purely through Eddie Izzard’s impressions, so you know. I don’t know much about him apart from Eddie Izzard doing a pretty impeccable impersonation. He kind of ran hot and cold with me. Some moments I thought were genius. The limp noodle joke was a cracker. Comic genius. And other moments were pretty damn good. But meh, overall he wasn’t that great. He was another one who’s outbursts were a little bit too subdued and random for me. I just don’t know. His crying is shocking too. I’m a picky person when it comes to crying on screen. And he failed.
One of the massive issues for me in this film is that the whole way through it felt like there wasn’t a script. Am I right in that assumption? The whole thing felt improvised. Key scenes didn’t flow because they seemed to fumble through the lines awkwardly and it made it annoying and slow and weird. It was weird. I don’t know if that’s how all movies were done back then, but damn it if it didn’t work this time around.
Okay, so I’m aware I’ve written quite a lot for this one. I’m actually quite surprised at myself. And I still don’t know what to think about it. I think I like the idea more than I like the result. Yeah, I’m going to stick with that. And would I recommend it? Well, I wouldn’t say don’t watch it. But I’m not going to demand that you go out of your way to watch it either. So…do what you want, I guess…
Con Air. A man who is released from prison finds himself hijacking a plane full of convicts against his will.
The Expendables. A bunch of men fight a bunch of other men for the sake of it.
Blood Creek. After a young man’s missing brother returns to him and demands that he follows, they go off into the world of Nazi cults and try to kill some evil Nazi man who isn’t Hitler.
Anonymous. The film is a re-look at who we know to be the greatest playwright of all time and questions whether or not that statement is true.